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Moving lines

I’ve found that in moving from script to image, things change. I’m often editing and moving dialogue around, or removing it entirely. Here I’ve replaced the dialogue with a hand gesture. Obviously I still need to work on the hand in the second draft to make the signified meaning clearer, but I think it works a little better now. A secondary benefit is that this particular line of dialogue, quite important to the plot, can be moved to the next page where it prefaces a another line of dialogue, forming an insightful view of the character.


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