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Monkey King

    I grew up enamoured with Monkey Magic. Something about the liveliness of the show, the kooky characters, the music, the absurdity of it, as well… Read More »Monkey King

    Kim Jung Gi

      Watching Kim Jung Gi’s live drawing demonstrations gave me permission to draw in my sketchbook directly with ink pen. No planning, straight-ahead drawing, allowing the theme and… Read More »Kim Jung Gi

      Equilibrium

        Drawing a page on the Cintiq again after a few weeks away. Focusing on attitude and body language. And a timelapse of the process, if you’re… Read More »Equilibrium

        Hand to eye

          When watching television or movie, even the most mediocre of offerings, the enthusiastic artist, I’ve found, can keep the pen moving and the hand to… Read More »Hand to eye

          10,000 hours

            There’s an adage that 10,000 hours of practice is what’s required to become a master. While that is more of an incentive for persistence than… Read More »10,000 hours

            The hump

              I’m at the stage of the graphic novel that I’m referring to as the hump. The big, horrible, hump. I’ve turned 15679 of a total… Read More »The hump

              Static momentum

                Scott Bukatman, in his essay Sculpture, Stasis and Hellboy found within Critical Inquiry, Comics and Media (Chute & Jagoda 2014), ponders on the ideas of connection,… Read More »Static momentum

                The red pill

                  More drawing like a madman, recording and adding commentary. This one goes for six minutes. My voice is like warm butter. Enjoy.

                  Fast and loose

                    I have the next four and a half days for drawing. Aiming for ten pages a day. Should be possible!

                    Flow

                      I’ve always enjoyed drawing. I’ll always maintain I’ve never had an inherent talent for it; I’ve just drawn a lot, and improved as a result. This page attempts… Read More »Flow