Workshop anyone?
I’ve been lucky enough to give a host quite a few workshops at libraries and such over the last couple of years. Pretty cool that… Read More »Workshop anyone?
I’ve been lucky enough to give a host quite a few workshops at libraries and such over the last couple of years. Pretty cool that… Read More »Workshop anyone?
Watching Kim Jung Gi’s live drawing demonstrations gave me permission to draw in my sketchbook directly with ink pen. No planning, straight-ahead drawing, allowing the theme and… Read More »Kim Jung Gi
Eddie Campbell is one of those prolific and ridiculously proficient artists who for some reason are not living in a golden castle on top of Success… Read More »After the snooter
After much fuggerizing around I’ve finally managed to upload a PDF of the 2014 Diary Comics that Ingram Spark didn’t spit back at me. Not… Read More »Ingram Sparky proofy
After consulting with my supervisor Andi Spark and after feedback from my mother-in-law Doris, I am going over the pages I’ve completed so far and… Read More »Draft 2 begins
Drawing a page on the Cintiq again after a few weeks away. Focusing on attitude and body language. And a timelapse of the process, if you’re… Read More »Equilibrium
When watching television or movie, even the most mediocre of offerings, the enthusiastic artist, I’ve found, can keep the pen moving and the hand to… Read More »Hand to eye
This panel is from American cartoonist Joe Matt, taken from his collection of comic strips Peepshow. As a cartoonist/practitioner in autobio comics, there is a constant… Read More »Writer-artist/Artist-writer?
Here are some storyboards I put together for a student film. I was strapped for time with this and used photos and reference images directly… Read More »Gone
There’s an adage that 10,000 hours of practice is what’s required to become a master. While that is more of an incentive for persistence than… Read More »10,000 hours
Following on from the last post and still using the cover of Action Comics #1, here I’ll investigate different modes of interpretation. Formalist reading. What are… Read More »Interpreting
Traditional art writing and critique can be broken down into a system of steps, including describing. The description is crucial because it draws attention to… Read More »Describing
Scott McCloud’s Triangle of Representation (Understanding Comics, 1993, 52) lends a non-linear sliding scale of representation that might be used to assign values to an… Read More »Triangle of Representation
Here’s something interesting. Jonathan Culler in his book Literary Theory: A Very Short Introduction says: Traditionally, Western philosophy has distinguished “reality” from “appearance,” things themselves from representations… Read More »Sign of a sign of a sign
I have lived for almost four years with a German Fraulein, and undertaken six trips to her homeland. It has been a gruelling journey with… Read More »Ethnography in practice
What is Autoethnography? According to Dictionary.com, it’s a Noun. Yay research. Wikipedia goes on to say that: “In its early guises Autoethnographies were insider accounts… Read More »Autoethnography
In the space of comics the typeset letter quivers with the voice of the drawing hand, the referent of the written word becomes rubbery and… Read More »Elastic Medium
“Logocentrism” was coined by the German philosopher Ludwig Klages in the 1920s and refers to the tradition that regards words and language as a fundamentally important record of… Read More »Logocentric
Douglas Wolk in his book Reading Comics: How Graphic Novels work, “whereas the great majority of mainstream comics are made by teams of writers and artists,… Read More »The Lonely Cartoonist
I’m sitting in a section of a very old farmhouse in North-West Germany called Ostfriesland and finally have the time and brain capacity to catch… Read More »The Ol’ German catchup
I’m at the stage of the graphic novel that I’m referring to as the hump. The big, horrible, hump. I’ve turned 15679 of a total… Read More »The hump
If you’ve always, ever since you were a tiny kipper, desperately wanted to hear someone battling with Man-Flu talking about their work making comics, then… Read More »Flu commentary
I felt a scratching in my throat on the opening of Paul Cleveland’s Sins of Academia exhibition on Friday. Woke up on Saturday feeling decidedly… Read More »Man Flu
Mirroring and repetition; whether it be with image, or text, or metaphor, or motif, is a powerful tool. It reinforces meaning, draws attention to itself, and acts… Read More »Mirroring
This page harks back to enjoyable group activities back in the days. Hackey sack- a university cliché for good reason. Far more beneficial for exercise… Read More »Hackey sack
This is one of the first scenes where I’m digging a little deeper into one of the supporting characters. The dialogue is still clunky, and… Read More »Character
Scott Bukatman, in his essay Sculpture, Stasis and Hellboy found within Critical Inquiry, Comics and Media (Chute & Jagoda 2014), ponders on the ideas of connection,… Read More »Static momentum
More drawing like a madman, recording and adding commentary. This one goes for six minutes. My voice is like warm butter. Enjoy.
I’m really getting into these screen captures. The process of recording my drawing has become quite natural, which is odd when I remember the first times… Read More »3 minute bender